VISUAL AND LITERARY CULTURES

Course objectives

This course aims to provide students with proper knowledge and competence to look, read, and understand Greek and Roman visual culture, its tools, and social impact. The chronological scope of the course extends from the Late Archaic period (6th cent. BC) to the fall of the Roman Empire (5th cent. AD). Through examining mainly sculptural and architectural data (statues, portraits, relief, private residences, religious buildings), students will be able to understand the relationship between artwork and society, and to interpret the language of visual art concerning specifically: forms of self-presentation, political and religious propaganda, expression of personal ambition. To the scope, students will be asked to read texts, describe images and monuments, and understand the messages conveyed by artworks in relation to their specific socio-cultural and political context, with particular attention to material, location, historical period, decoration' style and themes. At the end of the course the student will be familiar with methodologies, basic terminology and arguments for a comparative analysis of visual culture in two different societies, the Greek and Roman ones, throughout all of Antiquity.

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ADA CARUSO Lecturers' profile

Program - Frequency - Exams

Course program
The course will focus on the value and power of images (visual culture) in transmitting specific messages (political, religious, self-presentation) in Greek and Roman societies. Sites, monuments and finds will be examined within three sections dedicated in a mirror-like manner to the Greek and Roman worlds: 1. art in the religion (temples and sanctuaries); 2. art in the civic life (agorai and fora); 3. art as a form of individual representation (private dwellings, palaces of Hellenistic sovereigns, residences of emperors, portraits, ornaments).
Prerequisites
No pre-requisites are required.
Books
- Tonio Hölscher, Visual Power in Ancient Greece and Rome: Between Art and Social Reality, Oakland, California : University of California Press, [2018]: selected chapters. - Spivey, Nigel Jonathan. Greek Sculpture. Cambridge: Cambridge University Press, 2013.
Frequency
Attendance is strongly recommended.
Exam mode
A test is scheduled at the end of this course: it is an oral exam with open-ended questions. The student must demonstrate that he has achieved the expected learning outcomes in relation to the themes of the Syllabus. The oral exam will consist of ca. 4 questions on the topics described in the Syllabus. The minumum grade to pass the exam is 18/30; the maximum is 30/30. In order to obtain an evaluation of 30/30, the student must demonstrate that he has acquired in an excellent way the expected learning outcomes.
Bibliography
Further bibliographic indications will be provided in class.
Lesson mode
Lectures, class discussions, labs, visits to the sites and monuments of Rome.
  • Lesson code10595519
  • Academic year2025/2026
  • CourseGlobal Humanities
  • CurriculumSingle curriculum
  • Year3rd year
  • Semester2nd semester
  • SSDL-ART/04
  • CFU6