THREE-DIMENSIONAL MODELING

Course objectives

The aim of the course is to learn the codes of film language and methods of analysis of audiovisual texts starting from a historical contextualization of the concepts of screenplay, direction and editing. Expected learning outcomes (according to Dublin descriptors). Knowledge and understanding: at the end of the course the student will have to demonstrate understanding of the concepts covered by the course, with particular attention to the related didactic applications of audiovisual language in school. Applied knowledge and understanding: At the end of the course the student should be able to explain the fundamental concepts of cinematographic language and its correct use within the teaching activity in primary and infancy school. Making judgements: The student will be able to use the methodologies learned for the autonomous production and evaluation of exercises, laboratories and lectures. Communication skills: The student will be able to communicate their ideas with clarity and proper language and know how to use the technical terminology of the audiovisual, and choose and use audiovisual materials in their own way within the teaching activity. Learning skills: At the end of the course the student will have to know how to use and find the tools to constantly and independently update and deepen the knowledge and professional skills in the disciplinary field.  

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PIETRO MASCIULLO Lecturers' profile

Program - Frequency - Exams

Course program
This class will introduce basic elements of audiovisual language starting from a historical contextualization of the concept of cinematographic style. Other methodological notions for teaching cinema will be provided starting from the analysis of individual case studies.
Prerequisites
No prerequisite required
Books
1. A book of your choice between these two: - Gianni Rondolino, Dario Tomasi, Manuale del film. Linguaggio, racconto, analisi, UTET 2018. - Luca Malavasi, Il linguaggio del cinema, Pearson 2019. 2 Andrea Bellavita, Andrea Bernardelli, Che cos’è la narrazione cinematografica, Carocci 2021. Additional book for students who will not take the course 3. Giuseppe Previtali, Educazione Visuale, McGraw Hill 2021
Frequency
Classroom lessons.
Exam mode
Analysis of a movie scene.
Bibliography
Reference bibliography (Optional) - Laura Galasco, Marina Oddenino, Francesca Paraboschi, Spiegare il cinema ai bambini. Un agile strumento per insegnanti e genitori, Dino Audino 2006. - Michele Marangi, Insegnare cinema. Lezioni di didattica multimediale, UTET Università 2007. - Pier Cesare Rivoltella, Media education. Idea, metodo, ricerca, Scholè 2019. - Henry Jenkins, Culture partecipative e competenze digitali. Media education per il XXI secolo, Guerini 2019. - Giulia Carluccio, Luca Malavasi, Federica Villa, Il cinema. percorsi storici e questioni teoriche, Carocci 2015. - Luca Bandirali, Enrico Terrone, Il sistema sceneggiatura. Scrivere e descrivere i film, Lindau, 2009. - Vincenzo Buccheri, Il film. Dalla sceneggiatura alla distribuzione, Carocci 2003. - Federico Vitella, Il montaggio nella storia del cinema: Tecniche, forme, funzioni, Marsilio, 2020.
Lesson mode
Classroom lessons with analysis of audiovisual texts.
  • Academic year2025/2026
  • CoursePrimary teacher education
  • CurriculumSingle curriculum
  • Year2nd year
  • Semester1st semester
  • SSDL-ART/06
  • CFU5